Great New Interviews! Brad tells what it was like behind the scenes with the blues masterss!
NEW UPDATED INTERVIEW IN BLUES GREECE
Click HERE to read! "Guitarist Brad Vickers talks to BLUES GREECE's Michalis Limnios about Bo Diddley, Pinetop Perkins, Sleepy LaBeef, and the first published blues song." Brad has just updated his interview to talk about his time with Jimmy Rogers, Hubert Sumlin, Odetta, and the new CD, "That's What They Say".
COVER STORY! NEW INTERVIEW WITH BRAD IN BLUES BLAST
Click HERE to read: Brad talks with BLUES BLAST's Henry Carrigan about the beginnings of his career, his songwriting process, and lots more!
INTERVIEW IN RUDOLF'S MUSIC, NETHERLANDS
Click HERE to read! Brad talks to Rudolf about (among other things) the music that he loves, and some other genres, well, not so much. (Please search or scroll to see Brad's interview on Rudolf's site.)
REVIEWS: Nice Words About "Twice As Nice"
AN ABSOLUTE MUST!
"Smooth songs, interspersed with calm ballads, ragtime with jazz, down-home blues with soul. Songs that deserve special mention are the "Twice Is Nice" sung by Margey Peters with a nice bottleneck guitar by Vickers and the clarinet played by Jim Davis, the blues shuffle "Everything I Need" and the modest "Red Dust", an ode to the Native Americans. In short, "Twice As Nice" has become a very beautiful album with authentic blues. An absolute must!"
—Eric Campfens, BARN OWL BLUES, Netherlands
LET THE PARTY BEGIN!
"Twice As Nice" reminds us how much Brad Vickers & His Vestapolitans are artists who love American music in all its forms, and who never miss the slightest opportunity to showcase it with strength and respect...Refreshing on the most energetic titles, arresting on the slowest blues, the album turns out to be a veritable whirlpool in which one will much appreciate the slide [guitar] parts, which are always very well-dosed by the flights of horns, which never miss an opportunity to fly. Let the party begin!"
—Fred Delforge ZICAZINE, France
A REAL PLAYER THAT ISN'T PLAYING AROUND
"When cats like this jam them together, all you can do is let the good times roll. A real player that isn't playing around, this is just a solidly right-on set that delivers throughout. Hot stuff."
—Chris Spector, MIDWEST RECORD ENTERTAINMENT
NOTHING BUT WONDERFUL LISTENING BLUES
"Rarely have I heard anything that is so "laidback", and so natural sounding that it makes Brad Vickers & His Vestapolitans a pleasure to listen to. Brad was inspired by almost all the blues greats, although Jimmy Reed is one of is major examples. What is the best way to listen to Brad Vickers? Just come together with some friends and do nothing on the Sunny Side of the Street, and listen...Blues, nothing but wonderful listening blues"
—Freddy Celis, ROOTSVILLE, Belgium
GREAT SONGWRITING...FULL OF DEEP CUTS
Brad Vickers' new record, with Margey Peters and lots of wonderful guests is called "Twice as Nice" but honestly... it's like "11 times as nice" because all 11 tracks are fantastic, soooo tasteful in everyway. Beautifully produced with the perfect mix of instrumentation. I just LOVE this record and it's been a constant to listen to since I received it. Vickers and his Vestapolitans have a really cool sound and vibe and great song writing - alongside standards like "Stealin' Stealin'" ... My favorite of the originals is "Love can Win"... it's really a record full of deep cuts.
—Ilana Katz Katz
IN SHORT, A GREAT ALBUM!
"Twice As Nice" is a fully relaxed and authentic blues album with small side trips into rag and jazz. No guitar shredding here, just musicians who play the at the service of the songs and perform them in a very tasteful way. In short a great album!"
—Martin Van de Velde, BLUES MAGAZINE, Netherlands
A GOOD NIGHT DOWN AT THE JUKE JOINT!
I've always enjoyed the music of Brad Vickers and his Vestapolitans, and this sixth album is no exception.
Is he rewriting the rule book of the blues and demolishing boundaries? Thankfully, no. What he does is stick to the roots of the blues across a set of originals and covers which could have sat happily anytime between the 1940s and the present day...It all sits together in the manner of a good night down at the juke joint.I'm particularly fond of the songs where the unfortunately named V D King whips out his baritone sax, do "Love Can Win", "Close Together", and "Everything I Need" score highly. Best of all is their take on the Tampa Red tune, "Look A There, Look A There", which is just a joy!
FANS WILL CLAMOR FOR THIS ONE!
Vestapolitan fans will clamor for this one. If you are not familiar with Vickers and his band and their style, this will give you a full taste of the sort of things they do. Featuring a great group of regular and visiting musicians, you’ll get a good sampling of their stuff and how they mix music and a little humor to practice their craft."
—Steve Jones, BLUES BLAST
BROADMINDED PREWAR BLUES AND JAZZ!
This cohort of New Yorkers continue in the vein established over their first five releases: a full band, playing predominantly acoustically; a broadminded attitude toward styles, with a prewar blues and jazz feel often informing the music due only in part to the presence of staple jug and string infuences.
—Kevin Hardy, MAINSTREET BLUES, KCOR
COOL AS THE OTHER SIDE OF THE PILLOW
"Brad Vickers has played with numerous legends...He’s found the time to put together a fantastic backing band, The Vestapolitans, and they have just released their sixth overall album, this one entitled “Twice As Nice,” for Man Hat Tone Music. It is a sweet collection of originals and covers that keeps alive Brad’s musical vision of spreading excellent blues and roots music to the masses. Brad Vickers And His Vestapolitans continue to mesh vintage blues sounds with rock, jump, and roots music to create their own groove that’s as cool as the other side of the pillow! Dig “Twice As Nice” for some real good-time blues!!! Until next time…"
—Don and Sheryl Crow, DON & SHERYL's BLUES BLOG
THIS IS OLD-TIME MUSIC AT ITS BEST
"The music of Brad Vickers & His Vestapoitans; whether blues, ragtime, or vintage rock 'n' roll, is steeped in traditions that go back to a time before the history of music being set to paper. It's a style that he refers to as "Roots 'n' Roll." The days when he would emulate the old masters is long past. This is not what he does; it's who and what he is...This is old-time music at its best."
—Bill Wilson, REFLECTIONS IN BLUE
I CAN'T THINK OF ANYONE...WHO HAS A GROOVE LIKE THESE CATS
"While the album cover won't ever win any awards, it caught my eye on a busy day, and when I slid it in the office CD player [I] crossed my fingers hoping the music would live up to the Hot Rod billing.I can't think of anyone in particular who has a groove like these cats...Yet again I've unearthed a big ole unit of a R&B Band that will undoubtedly never visit my part of the Universe; yet they sound like the best night I'll never have!"
—Alan Harrison, THE ROCKING MAGPIE
LOOKING GOOD! 4 1/2 STARS
Brad Vickers presents his new album "Twice As Nice". Brad opens with Big Maceo Merriweather’s "Worried Life Blues" and the track "Mississippi Swamp" with Mikey Junior on bluesharp. The soulful "Love Can Win" exemplifies the strongly divergent material, including Jimmy Reed's Chicago blues "Close Together", and [their] "Coast To Coast". Guest singer Margey Peters gives "Twice As Nice" a jazzy vocal form. "Red Dust" is perhaps the odd man out. Give us the swinging "Everything I Need", the enthusiastic jugband "Stealin" Stealin," and the rocking classic "Look A There Look A There". Margey Peters is back for the closing number "Brooklyn Evenings". Looking Good! 4 ½ Stars!
—Philip Verhaege, KEYS & CHORDS, Belgium
A HEAPING HELPING OF CHARM!
They say that music is one of the surest ways to time travel, and Brad Vickers & His Vestapolitans have it down. On Twice As Nice, their 6th album, they take us back to the sixties for a heaping helping of what they call “blues, folk, jump and great American roots ‘n’ roll”, celebrating the music they love with obvious affection.
Twice As Nice is a collection of lively exchanges by all of the musicians involved, replete with some great sax solos and fine playing by all. Vickers has a lived- in voice that gives these tracks a kind of wobbly charm that’s hard to find in music these days...Vickers learned his craft on the job playing, recording and touring with blues and roots masters Pinetop Perkins, Jimmy Rogers, Hubert Sumlin, Bo Diddley, Chuck Berry, Odetta and Roscoe Gordon. Knowing that before you put this on gives you an idea of what to expect...The sound here is straightforward and uncomplicated, much like it would have been done back in the day when Brad was playing with the people listed in the previous paragraph. As Brad says in the press releases, “I hope you have half as much fun listening, as we had making Twice As Nice!” You know? I kinda did.
—John Kereiff, The Rock Doctor, GONZO MAGAZINE, Canada
THIS GUY CAN HIT THE STRINGS!
Brad Vickers sings with a pop styled voice and plays guitar like a juke joint junkie as he rocks the blues with a team of Bill Rankin/dr, Margey Peters/b, Jim Davis/ts, VD King/bs, Dave Keyes/or and Mickey Junior/harp-voc in a cut and paste fashion of songs. With Junior’s harp, there’s some two stepping on “Stealin’ Stealin’” and shuffling on “Look A There Look A There.” Vickers picks out a winner on the boogie’d “Coast To Coast”, and his take on Jimmy Reed’s classic “Close Together”, and gets some earth shattering tones out of his strings. On bottleneck, Vickers creates a rural mood on “Red Dust”, with his high tone voicings creating a sweet and sour contrast to the foreboding environs, whereas the title track bounces with some exquisite riffs. This guy can hit the strings!
—George W. Harris, JAZZ WEEKLY
REVIEWS: What They're Saying About "That's What They Say"
– Frank-John Hadley, DOWNBEAT
"I include Brad Vickers & His Vestapolitans next to Duke Robillard, The Ragpickers String Band, and others in the front line. I enter this as evidence: I can safely and wholeheartedly recommend "That's What They Say"."
– Nathan Norgel, WASSER PRAWDA
"There is so much to recommend this brilliant collection..."
– Mark E. Gallo, BIG CITY RHYTHM & BLUES
"This album is a marvel of roots music, rarely performed with such quality, and, if there is any justice, should be crowned as best traditional album ever made for a long time"
- Erick Tonton, BLUES & CO.
"A romp through a thoroughly enjoyable range of blues, Americana, roots, rock 'n’roll and ragtime, all with a great old-timey vibe. This is just the sort of album that makes you smile the whole way through." (On "Best Blues Albums of 2015 List)
-DOWN AT THE CROSSROADS
"I’ve been a fan of Mr. Vickers for a few years now, and am in the habit of saying “He moves around from rockin’ blues, to jump blues, to ragtime, hitting all points in-between”. And it’s a great sound, one which continues on this latest release...The performances are uniformly excellent, and this is the kind of record that anyone who likes genuine, rootsy music should cock an ear to. There are a host of guest performances, but with Mr. Vickers setting the controls, this is a pure delight."
- Stuart Hamilton, UK ROCKER
Brad Vickers plays good-time traditional blues with authenticity and panache...If your tastes are both eclectic and catholic, this set will delight you!"
–Nick Rainsford, BLUES IN BRITAIN
"If you’ve previously encountered the Brad Vickers & His Vestapolitans band with sheer joy, let’s now take it up a notch. One rarely hears music and songs so relaxed and free. The band plows the roots of the earth, criss-crossing the field completely. Old-timey, folk, blues, and rock ’n’ roll have unexpected encounters with each other while still having the whole palette sitting firmly in line."
- Mikke Nöjd, BLUES IN FINLAND
"It’s really a nice dictionary of American "old time music". The disc is number five for Brad Vickers, a good guitar player who came up in the court of Pinetop Perkins. The sound schemes of this new work unfold among old-time country, jug band music, early jazz, Appalachian music—not to mention the good old New Orleans rock and roll-style. We particularly liked the jazzy "Don’t You Love Your Daddy No Nore?", and "Fightin’ “, a poignant and meaningful gospel."
-Fabrizio Pozzi, FABRADIO
"Wow! This is blues and roots music like it has not been heard in decades..."This disc should garner awards for best traditional album of the year, at the very least..."This is one of those things that will rate high on my list of top picks for the year. Brad Vickers & His Vestapolitans are every bit the real deal. there is nothing contrived or unnatural about what they do at all...you won't find anything like this anywhere else in the blues world. These cats and kittens are the real deal!"
- Bill Wilson, REFLECTIONS IN BLUE
"Each song is better than the last.Regardless of whether it is a blues, ragtime, jazzy number or soul blues, it's obvious to the listener that the musicians sound really great. If you need and assessment of the album, it is a pure ten!"
- Mladen Loncar, SOUNDGUARDIAN
"The music jumps and swings just like an old-time string or jug band, with elements of Django and Grappelli interspersed throughout. The set starts with the only two covers out of the fifteen songs. First up is a poppin’ version of Tampa Red’s “my baby’s gone” song, “Seminole Blues.” Next up is a song Brad learned thru Huddie “Leadbelly” Ledbetter, “Don’t You Love Your Daddy No More.” On this version, Jim Davis’ clarinet and Dave Gross’ mandolin give it a ragtime feel. Speaking of ragtime, both Margey and Charles add fiddle to the “Twenty-First Century Rag,” where “your watch is a computer,” and “you can take a “robotic car” wherever you wanna go!
One of the most powerful cuts on the set is done a capella, save for Dave on percussion. It is “Fightin' , (in the name of the Lord)” a brooding tale of greed and the sordid direction this country seems to be heading, and features some deep gospel shoutin’ from Mikey Junior.
We had three favorites, too. Brad knows his love affair is coming to an end, due to the constant “ringside fights,” because “Everything About You Is Blue.” Margey takes the lead vocal on a jumpin’ little tune about every conceivable ethnic food delight one can imagine, “Mama’s Cookin.” Early in his career, Brad worked with Bo Diddley and Chuck Berry. You can hear that influence in one of the first songs Brad wrote. It’s done as a duet with Margey, but with those fluid guitar lines and punchy sax, all that’s lacking in “Another Lonesome Road” is Nadine in that coffee-colored Cadillac!"
- Don and Sheryl Crow, DON & SHERYL'S BLUES BLOG